He vanished....

              The book impressed me greatly. I really think that this is a masterpiece. Though the plot cannot be called an unexpected and breathtaking, but it is very pleasant to read it. It made me to feel through those times - its smell, its music, its mood...I even caught myself on the idea that I have heard the Daizy's laughter.
The book made me think a lot. For example, about love. I cinsider it a mystery that Gatsby loved Daizy. In fact she was nothing but a spoiled girl, with a lovely face. How could such a girl influence Gatsby's life? Men are so blind sometimes. They think that the woman they love is a goddess without any drawbacks. But such love will not last forever. As it happened to Gatsby, suddenly he realized that his "goddess" is nothing but a small girl with many fancies, and got very disappointed.

Here is a video I have found. "Does Gatsby really love Daisy?"


Another I want to mention is that Mr Fitzgerald used a very beautiful language. It is very sophisticated, but it the same time very accurate, logical and it sounds like a song, full of wonderfull things...I think every writer should try to reach that level, no matter in what language he writes. A reader should appreciate not only the plot, but also the beauty of the language. 

Analysis of the Major Characters

Jay Gatsby

The title character of The Great Gatsby is a young man, around thirty years old, who rose from an impoverished childhood in rural North Dakota to become fabulously wealthy. However, he achieved this lofty goal by participating in organized crime, including distributing illegal alcohol and trading in stolen securities. From his early youth, Gatsby despised poverty and longed for wealth and sophistication—he dropped out of St. Olaf’s College after only two weeks because he could not bear the janitorial job with which he was paying his tuition. Though Gatsby has always wanted to be rich, his main motivation in acquiring his fortune was his love for Daisy Buchanan, whom he met as a young military officer in Louisville before leaving to fight in World War I in 1917. Gatsby immediately fell in love with Daisy’s aura of luxury, grace, and charm, and lied to her about his own background in order to convince her that he was good enough for her. Daisy promised to wait for him when he left for the war, but married Tom Buchanan in 1919, while Gatsby was studying at Oxford after the war in an attempt to gain an education. From that moment on, Gatsby dedicated himself to winning Daisy back, and his acquisition of millions of dollars, his purchase of a gaudy mansion on West Egg, and his lavish weekly parties are all merely means to that end.

Fitzgerald delays the introduction of most of this information until fairly late in the novel. Gatsby’s reputation precedes him—Gatsby himself does not appear in a speaking role until Chapter 3. Fitzgerald initially presents Gatsby as the aloof, enigmatic host of the unbelievably opulent parties thrown every week at his mansion. He appears surrounded by spectacular luxury, courted by powerful men and beautiful women. He is the subject of a whirlwind of gossip throughout New York and is already a kind of legendary celebrity before he is ever introduced to the reader. Fitzgerald propels the novel forward through the early chapters by shrouding Gatsby’s background and the source of his wealth in mystery (the reader learns about Gatsby’s childhood in Chapter 6 and receives definitive proof of his criminal dealings in Chapter 7). As a result, the reader’s first, distant impressions of Gatsby strike quite a different note from that of the lovesick, naive young man who emerges during the later part of the novel.

Fitzgerald uses this technique of delayed character revelation to emphasize the theatrical quality of Gatsby’s approach to life, which is an important part of his personality. Gatsby has literally created his own character, even changing his name from James Gatz to Jay Gatsby to represent his reinvention of himself. As his relentless quest for Daisy demonstrates, Gatsby has an extraordinary ability to transform his hopes and dreams into reality; at the beginning of the novel, he appears to the reader just as he desires to appear to the world. This talent for self-invention is what gives Gatsby his quality of “greatness”: indeed, the title “The Great Gatsby” is reminiscent of billings for such vaudeville magicians as “The Great Houdini” and “The Great Blackstone,” suggesting that the persona of Jay Gatsby is a masterful illusion.

Gatsby believed in the green light, the orgastic future that year by year recedes before us.

As the novel progresses and Fitzgerald deconstructs Gatsby’s self-presentation, Gatsby reveals himself to be an innocent, hopeful young man who stakes everything on his dreams, not realizing that his dreams are unworthy of him. Gatsby invests Daisy with an idealistic perfection that she cannot possibly attain in reality and pursues her with a passionate zeal that blinds him to her limitations. His dream of her disintegrates, revealing the corruption that wealth causes and the unworthiness of the goal, much in the way Fitzgerald sees the American dream crumbling in the 1920s, as America’s powerful optimism, vitality, and individualism become subordinated to the amoral pursuit of wealth.

Gatsby is contrasted most consistently with Nick. Critics point out that the former, passionate and active, and the latter, sober and reflective, seem to represent two sides of Fitzgerald’s personality. Additionally, whereas Tom is a cold-hearted, aristocratic bully, Gatsby is a loyal and good-hearted man. Though his lifestyle and attitude differ greatly from those of George Wilson, Gatsby and Wilson share the fact that they both lose their love interest to Tom.

Daisy Buchanan

Partially based on Fitzgerald’s wife, Zelda, Daisy is a beautiful young woman from Louisville, Kentucky. She is Nick’s cousin and the object of Gatsby’s love. As a young debutante in Louisville, Daisy was extremely popular among the military officers stationed near her home, including Jay Gatsby. Gatsby lied about his background to Daisy, claiming to be from a wealthy family in order to convince her that he was worthy of her. Eventually, Gatsby won Daisy’s heart, and they made love before Gatsby left to fight in the war. Daisy promised to wait for Gatsby, but in 1919 she chose instead to marry Tom Buchanan, a young man from a solid, aristocratic family who could promise her a wealthy lifestyle and who had the support of her parents.

After 1919, Gatsby dedicated himself to winning Daisy back, making her the single goal of all of his dreams and the main motivation behind his acquisition of immense wealth through criminal activity. To Gatsby, Daisy represents the paragon of perfection—she has the aura of charm, wealth, sophistication, grace, and aristocracy that he longed for as a child in North Dakota and that first attracted him to her. In reality, however, Daisy falls far short of Gatsby’s ideals. She is beautiful and charming, but also fickle, shallow, bored, and sardonic. Nick characterizes her as a careless person who smashes things up and then retreats behind her money. Daisy proves her real nature when she chooses Tom over Gatsby in Chapter 7, then allows Gatsby to take the blame for killing Myrtle Wilson even though she herself was driving the car. Finally, rather than attend Gatsby’s funeral, Daisy and Tom move away, leaving no forwarding address.

Like Zelda Fitzgerald, Daisy is in love with money, ease, and material luxury. She is capable of affection (she seems genuinely fond of Nick and occasionally seems to love Gatsby sincerely), but not of sustained loyalty or care. She is indifferent even to her own infant daughter, never discussing her and treating her as an afterthought when she is introduced in Chapter 7. In Fitzgerald’s conception of America in the 1920s, Daisy represents the amoral values of the aristocratic East Egg set.

What Do we know about Flapper Girls?

               As you know, the book is full description of parties, where people of differnet social classes meet each other. And the most expectful decoration of the party, besides alcohol, are flapper girls. And I was very curious to know more about them. That is what I have found. 

                Flappers were a "new breed" of young Western women in the 1920s who wore short skirts, bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behavior. Flappers were seen as brash for wearing excessive makeup, drinking, treating sex in a casual manner, smoking, driving automobiles, and otherwise flouting social and sexual norms. Flappers had their origins in the liberal period of the Roaring Twenties, the social, political turbulence and increased transatlantic cultural exchange that followed the end of World War I, as well as the export of American jazz culture to Europe.

The first appearance of the word and image in the United States came from the popular 1920 Frances Marion film, The Flapper, starring Olive Thomas. Thomas starred in a similar role in 1917, though it was not until The Flapper that the term was used. In her final movies, she was seen as the flapper image. Other actresses, such as Clara Bow, Louise Brooks, Colleen Moore and Joan Crawford would soon build their careers on the same image, achieving great popularity.

In the United States, popular contempt for Prohibition was a factor in the rise of the flapper. With legal saloons and cabarets closed, back alley speakeasies became prolific and popular. This discrepancy between the law-abiding, religion-based temperance movement and the actual ubiquitous consumption of alcohol led to widespread disdain for authority. Flapper independence was also a response to the Gibson girls of the 1890s. Although that pre-war look does not resemble the flapper style, their independence may have led to the flapper wise-cracking tenacity 30 years later.

Writers in the United States such as F. Scott Fitzgerald and Anita Loos and illustrators such as Russell Patterson, John Held, Jr., Ethel Hays and Faith Burrows popularized the flapper look and lifestyle through their works, and flappers came to be seen as attractive, reckless, and independent. Among those who criticized the flapper craze was writer-critic Dorothy Parker, who penned "Flappers: A Hate Song" to poke fun at the fad. The secretary of labor denounced the "flippancy of the cigarette smoking, cocktail-drinking flapper." A Harvard psychologist reported that flappers had "the lowest degree of intelligence" and constituted "a hopeless problem for educators."

A related but alternative use of the word "flapper" in the late 1920s was as a media catch word that referred to adult women voters and how they might vote differently than men their age. While the term "flapper" had multiple uses, flappers as a social group were distinct from other 1920s fads.

Flappers' behavior was considered outlandish at the time and redefined women's roles. In the English media they were stereotyped as pleasure-loving, reckless and prone to defy convention by initiating sexual relationships. Some have suggested that the flapper concept as a stage of life particular to young women was imported to England from Germany, where it originated "as a sexual reaction against the over-fed, under-exercised monumental woman, and as a compromise between pederasty and normal sex". In Germany teenage girls were called "backfisch", which meant a young fish not yet big enough to be sold in the market.  Although the concept of "backfisch" was known in England by the late 1880s, the term was understood to mean a very demure social type unlike the flapper, who was typically rebellious and defiant of convention. The evolving image of flappers was of independent young women who went by night to jazz clubs where they danced provocatively, smoked cigarettes and dated freely, perhaps indiscriminately. They were active, sporting, rode bicycles, drove cars, and openly drank alcohol, a defiant act in the American period of Prohibition. With time, came the development of dance styles then considered shocking, such as the Charleston, the Shimmy, the Bunny Hug, and the Black Bottom.

Flappers were associated with the use of a number of slang words, including "junk", "necker", "heavy necker" and "necking parties", although these words existed before the 1920s. Flappers also used the word "jazz" in the sense of anything exciting or fun. Their language sometimes reflected their feelings about dating, marriage and drinking habits: "I have to see a man about a dog" at this period often meant going to buy whiskey; and a "handcuff" or "manacle" was an engagement or wedding ring. Also reflective of their preoccupations were phrases to express approval, such as "That's so Jake","That's the bee's knees," and the popular "the cat's meow" or "cat's pyjamas".

Fitzgerald's wife Zelda was also a flapper girl. 

The Prohibition.

                  I have read the first two chapters of "The Great Gatsby". Though, the narrator, Nick Carraway seemed nice to me. through his eyes we can see the American society of the beginning of 20th century. The period from 1920-1930s was very difficult for American population - the Prohibion was established. Here is some information about prohibition.

                  Prohibition in the United States was a national ban on the sale, production, and transportation of alcohol, in place from 1921 to 1933. The dry movement was led by rural Protestants in both political parties and was coordinated by the Anti-Saloon League. The ban was mandated by the Eighteenth Amendment to the Constitution, and the Volstead Act set down the rules for enforcing the ban and defined the types of alcoholic beverages that were prohibited. Private ownership and consumption of alcohol was not made illegal under federal law, but in many areas local laws were stricter and some states banned possession outright. Prohibition ended with the ratification of the Twenty-first Amendment, which repealed the Eighteenth Amendment, on December 5, 1933.

The introduction of alcohol prohibition and its subsequent enforcement in law was a hotly debated issue. Prohibitionists at the time presented it as a victory for public morals and health, but once the laws were passed they did little to help enforce them. The consumption of alcohol overall went down by half in the 1920s and it remained below pre-Prohibition levels until the 1940s.

Anti-prohibitionists ("wets") criticized the alcohol ban as an intrusion of mainly rural Protestant ideals on a central aspect of urban, immigrant and Catholic everyday life. Effective enforcement of the alcohol ban during the Prohibition Era proved to be very difficult and led to widespread flouting of the law. The lack of a solid popular consensus for the ban resulted in the growth of vast criminal organizations, including the modern American Mafia and various other criminal cliques. Widespread disregard of the law also generated rampant corruption among politicians and within police forces.

Organized crime received a major boost from Prohibition. Mafia groups limited their activities to prostitution, gambling, and theft until 1920, when organized bootlegging emerged in response to the effect of Prohibition.  A profitable, often violent, black market for alcohol flourished. Powerful criminal gangs corrupted law enforcement agencies, leading to racketeering. In essence, prohibition provided a financial basis for organized crime to flourish.

Rather than reducing crime, Prohibition had transformed the cities into battlegrounds between opposing bootlegging gangs. In a study of over 30 major U.S cities during the prohibition years of 1920 and 1921, the number of crimes increased by 24%. Additionally, theft and burglaries increased by 9%, homicide by 12.7%, assaults and battery rose by 13%, drug addiction by 44.6% and police department costs rose by 11.4%. This was largely the result of “black-market violence” as well as the diverting of law enforcement resources elsewhere. Despite the hope of the prohibitionist movement that the outlawing of alcohol would reduce crime, the reality was that the Volstead Act led to higher crime rates than were experienced prior to prohibition and the establishment of a black market dominated by criminal organizations.

Furthermore, stronger liquor surged in popularity because its potency made it more profitable to smuggle. To prevent bootleggers from using industrial ethyl alcohol to produce illegal beverages, the government ordered the poisoning of industrial alcohols. In response, bootleggers hired chemists who successfully renatured the alcohol to make it drinkable. As a response, the Treasury Department required manufacturers to add more deadly poisons, including the particularly deadly methyl alcohol. New York City medical examiners prominently opposed these policies because of the danger to human life. As many as 10,000 people died from drinking denatured alcohol before Prohibition ended. In the "Chemist's War" it does not appear that the government intended to kill Americans with these poisons. They wrongly assumed that people out of fear would stop drinking alcohol. New York City medical examiner Charles Norris believed the government took responsibility for murder when they knew the poison was not deterring people and they continued to poison industrial alcohol (which would be used in drinking alcohol) anyway. Charles Norris said, "The government knows it is not stopping drinking by putting poison in alcohol..."[Y]et it continues its poisoning processes, heedless of the fact that people determined to drink are daily absorbing that poison. Knowing this to be true, the United States government must be charged with the moral responsibility for the deaths that poisoned liquor causes, although it cannot be held legally responsible."

The very beginnig

As it is my first day of blogging, the meassage won't be very long. I have started to read the most famous masterpiece of one of the remarkable American writers Francis Scott Fitzgerald "THE GREAT GATSBY". 

The book primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion for the beautiful Daisy Buchanan. "THE GREAT GATSBY" exploresthemes of decadence, idealism, resistance to change, social upheaval and excess, creating a potrait of the jazz age that has been described as a cautionary tale regarding the American dream. 

Here I leave here some photographs:   1. F.C. Fitzgerald

                                                         2. The Great Gatsby. 

                                   3. Old photographs of The US.( flapper girls, prohibition, the jazz age)